Louvre Museum — Paris
D'Orsay Museum — Paris
Guggenheim Museum — Bilbao
Correr Museum — Venice
Scuderie del Quirinale — Rome
Palazzo Reale — Naples
Hermitage — S. Peterburg
Galleria d'Arte Moderna — Moscow
Santa Giulia Museum — Brescia
MACA (The Atchugarry Museum of Contemporary Art), Uruguay's first major contemporary art museum is inaugurated with an international retrospective exhibition entitled "Christo and Jeanne-Claude in Uruguay". It is a collection of more than 50 works from the artists' families and private collectors coming to South America for the first time. It provides an overview of the work in different formats: photographs, drawings, collages and projects. The Foundation has published a bilingual Spanish-English catalogue with a detailed history, an intimate interview with the artists and images of all the works in the exhibition.
Over 40 works from different years of production, chosen to dialogue with the evocative architecture of the place where they are located. Over the last twenty years, his work has focused on large marble sculptures - all personally carved and sculpted - and has recently given way to works carved directly into the wood or emerging from the trunks of centuries-old olive trees.
Hollis Taggart Galleries is pleased to present the first New York show of Pablo Atchugarry’s marble sculpture. The Uruguayan-born artist, who lives and works in Lecco, Italy, works with marble and bronze to create pieces that are both elegant and imposing. No undertaking is too daunting for him—from the 2003 Venice Biennale installation representing Uruguay, to the private commission of a five-story high sculpture hewn from a single block of Carrara marble, to the more intimately scaled works on view in the gallery. In white Carrara marble, and pink Portugal and Iran marbles, these pieces fold, layer, and undulate. Atchugarry effectively works the medium to appear both weightless and substantial.
Over 40 large format works are exhibited in the Loggia Foscari Doge's Palace. An extraordinary event that the city of Venice is one of the greatest living Italian artists. In the courtyard are placed two large sculptures that welcome thousand of visitors daily visit the palace of the Doges. The inaugural event, the presence of the Superintendent of Venice and Prof. Dr. Codello and Prof. Curatola, University of Udine, took place in the prestigious Hall of Piovego. The exhibition is made possible by the Superintendence for Architectural and landscape of Venice took advantage of the valuable contribution of Euromobil Group.
Considering that in 2010 celebrate the 400th anniversary of Caravaggio's death, Castel Sismondo chose to host, at the same time the exhibition Paris. The wonderful years, a second, extraordinary exhibition entitled Caravaggio and other painters of the seventeenth century. Masterpieces from the Wadsworth Atheneum in Hartford. It is a sublime selection of fifteen paintings, all of large size, from that nucleus so important that in American museum is dedicated to the seventeenth century. It naturally from that unforgettable masterpieceThe Ecstasy of St. Francis Caravaggio, the very first part of a religious painting by the great artist around 1594.
Guccione. The Mediterranean, the Palazzo Ducale anthology dedicated to Piero Guccione, on the occasion of his 75th birthday, contains 35 of the most beautiful works that the artist has devoted and continues to devote to the sea in a relentless search for pictorial, which began when returned from Rome to live in Sicily. Here, in the landscape of the island, said in his work places found childhood, starting a dialogue between eyes and remember that he originated a long and uninterrupted pictorial survey of changes made, sustained, in-depth. And it is from the eighties - the year which begins this exhibition - the search for Guccione you are featuring more and more sensitive to the rarefaction of the image in a progressive symbolic tension as if the sea did more and more capable of melting point itself the visible appearance of things with their infinite inner resonance.
The black gives happiness and relaxation. Ennio Finzi is convinced that the great exhibition that was organized by Villa Contarini in Piazzola sul Brenta, "the palace of the Venetian Villas", selected works all "From Black to no color." One hundred works proposed, many of large size, to cover a route that goes from the 50s to today. With this exhibition, the Veneto Region and the Group Euromobil brothers Lucchetta consolidate the project to propose, on an annual basis, a great Venetian artist living in an ideal location that puts gradually highlight the major artistic personalities working in Venice and on the mainland. The exhibition, curated by Dino Marangon and Michele Beraldo, will be display from 19 December 2010 to 20 March 2011.
Le Corbusier a Punta del Este: a complete exposition of the great revolutionary of modern architecture, presented the Foundation Pablo Atchugarry. The great architect, then already famous, arrived in the capital Montevideo in 1929 where he had contact with the University and with the elders of the city, immediately drew modern projects and proposed the creation of new, futuristic districts. The real praise for the great effort that requires exposure so demanding, it is important to another artist, the Uruguayan Pablo Atchugarry who stubbornly wanted to host the headquarters of the foundation that bears his name shows. A tribute to the great creative but also to his country and that even isolated so far from everything: even in those years had the ability to invite other end of the cultural world such a challenging character.
Villa Contarini in Piazzola sul Brenta, "the palace of the Venetian Villas", opens its space to contemporary. The magnificent residence recently acquired by the Veneto Region, so back to an illustrious tradition that in the sixties saw the host prestigious artists next to "new promise" that are now internationally renowned names. To start this new season of Villa Contarini the Veneto Region has chosen Pope - Giuseppe Galli (Portsmouth 1942): one of the protagonists of the new pictorial research. The large monographic Pope will remain on display at the Villa Contarini from September 26 to January 7, He moved in a foreign office. The exhibition, created with the assistance of the Group Euromobil and called Pope.
A truly unique opportunity for the Italian scene, this exhibition of one of the greatest artists of the twentieth century: Piet Mondrian. Possibile exposure to the generous collaboration of the Gemeentemuseum Hague - which houses the largest collection of works by Mondrian - and thanks to private providers and other museums that work together to ensure that the exhibition documents in full the artistic career of the artist. One hundred works illustrate the entire research of Mondrian, from his beginnings as a landscape, in the vein of traditional realism Dutch Hague School, to geometric shapes with black stripes intersecting planes white lines defining squares of red, yellow and blue, works for which it is best known.
Not easy to find, in Italy, in the exhibition history of the last decades, a show that has in it, such as this, the signs of the magnitude is so strong for both the two names that illustrate both the works that will be convened. Gauguin and Van Gogh, of course along with Cézanne and Monet, the fathers of so much twentieth-century painting. Painters that will be recounted in Brescia, with many of their masterpieces in two real monographic exhibitions, but parallel to illustrate the evolution of the respective paths and points of tangency that have become direct contact within two months of Arles at the end of 1888. The exhibition consists of about 100 paintings and marks the second chapter just a great story that shows the color in Brescia want to track, choosing about that time that elapses between the end of the nineteenth and early twentieth century.
The exhibition consists of over 100 paintings and intends to mark the path that led Claude Monet, which operates over sixty paintings, by a vision of descriptive and naturalistic plant until dissolved into the matter, the light and color of the fact of nature , represented by the Seine. River, since some evidence of the sixties of the nineteenth century, is like a red thread within his work, marking very often carried out the most important and decisive, as witnessed in the exhibition by a large number of examples and masterpieces that offer visitors the chance to follow his progress towards an internalization of the image.
Directly from the Hall of States the Louvre Museum in Paris, which houses the "Mona Lisa" of Leonardo, ten masterpieces of Italian painting of the sixteenth century arrived in the exhibition of the Museum of Santa Giulia in Brescia. The exhibition, curated by Vincent Pomarède and Jean Habert, investigates the sixteenth-century Venetian art through two different genres of painting: portraits and religious subjects. In addition to the great writers of the sixteenth century Venetian, visitors can admire the works of lesser known artists who participate in the extraordinary cultural milieu of the Renaissance: the case of Francesco Bassano the Younger in "The Road to Calvary," Gianfrancesco Caroto with "The rest on the Flight into Egypt, "and John Cariani with a" Madonna and Child with St. Sebastian, "to name just a few.
More than 130 designs - including 85 original Tuscan master and 47 of his students - three paintings, manuscripts and 12 second album "caricatures" are the extensive collection of works that will, from May 9 to July 14, to retrace some essential steps of the artistic, intellectual and human of the great painter. The exhibition is organized by the Museum of the Louvre and the Réunion des Musées Nationaux, with the outstanding contribution of the Institut de France and the participation of the Centre National des Arts Plastiques. The exhibition is made possible with the support of Euromobil Group.
Through this unique installation and exhibition in the prestigious halls of the Museo Correr, the name of Fabrizio Plessi is inextricably linked to that of Euromobil Group. In Plessi Euromobil has found that spirit that characterizes the company's spirit. Better than anyone else the artist Venetian by adoption embodied in his works the spirit of the third millennium: advanced technology, but without forgetting the tradition of the past in a blend of historic and innovative. Always looking for new ideas, fantasies, and intuitions, with Plessi Lucchetta brothers met in the Piazza San Marco, who now sees them protagonists: the great artist with a show that consecrate him in the history of contemporary art and the Group Euromobil producer of the show.
With the Euromobil, Zalf and Desiree brands – all leaders in the furniture system and accessories sector - Gruppo Euromobil was the main partner of the Art Show in Bologna from 2007 to 2018.
Moreover, during the twelve editions of the show, the Gruppo Euromobil Award was conferred to young Italian and foreign artists who thereafter earned themselves important spaces in the art system, confirming the validity of the choices made. The award wanted to promote a young artist who was able to express his understanding of contemporary life through various visual art languages. The practical outcome of having won the Award took on a concrete form by Gruppo Euromobil purchasing the winning artwork.
