GRUPPO EUROMOBIL AND ART | Guidi - Tancredi. Un nodo invisibile

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The CIAC in Foligno (Italian Centre for Contemporary Art) presents “Guidi – Tancredi. An Invisible Knot”, a major exhibition dedicated to two of the leading figures of 20th-century Italian art: Virgilio Guidi and Tancredi Parmeggiani. Sponsored and organised by the Fondazione Cassa di Risparmio di Foligno, it will run from 28 June to 27 September 2026.

Curated by Italo Tomassoni and Giovanni Granzotto, the exhibition brings together over seventy rare works of exceptional museum quality, creating a dialogue between Guidi’s masterpieces from the 1920s and 1930s and Tancredi’s most intense and radical works created between the 1950s and 1960s.

The opening is scheduled for Saturday 27 June at 6.00 pm.

Translated with DeepL.com (free version)

The exhibition stems from a critical question that is as evocative as it is complex: what profound connection unites two artists who appear to be worlds apart in terms of artistic language, sensibility and vision? From this question emerges the subtitle ‘An invisible bond’, which alludes to an underlying, almost unconscious link capable of transcending the stylistic and generational differences between the two masters. Whilst Guidi’s painting appears to be founded on a lyrical balance between light, form, colour and space, Tancredi’s work manifests itself instead as a field of inner tensions, a visual and chromatic language permeated by unease, fragmentation and an existential drive. Two distant universes which nevertheless seem to touch one another at a deeper level, within the folds of art history and modern consciousness.

The exhibition unfolds as a close comparison between two different concepts of painting and reality. On the one hand, Guidi, the figure at the centre of a body of work that spans the twentieth century whilst maintaining a firm connection with Italian tradition, Venetian light and a poetic vision of space; on the other, Tancredi, a restless and visionary artist, supported by Peggy Guggenheim and closely associated with the Spatialist movement, capable of transforming line and colour into tools of radical introspection.

Curator Italo Tomassoni explains: ‘The dialogue between the two artists can be interpreted through the metaphor of the “Borromean Knot” developed by Jacques Lacan: an interweaving of the real, the symbolic and the imaginary that becomes a key to accessing the depths of being and artistic creation. In Guidi’s work, this structure is harmoniously organised within a synthesis of light, form, colour and space; in Tancredi’s, however, it contracts until it transforms into an extreme psychological tension, in a style of painting that captures the drama of existence and the instability of contemporary consciousness.”

The exhibition at the CIAC thus offers not only a historical and artistic comparison of exceptional significance, but also a reflection on the very fate of the work of art in the present day. In an age dominated by technical reproducibility, the dematerialisation of images and the loss of the aura, ‘Tancredi – Guidi. An Invisible Knot’ reaffirms the physical and spiritual centrality of the artwork, its physical form and its irreducible uniqueness.

The exhibition also represents a rare opportunity to explore the relationship between two key figures in twentieth-century Italian culture, united by a mutual esteem documented as early as 1949, when Guidi introduced the young Tancredi at his first solo exhibition in Venice, and subsequently in 1953, on the occasion of the exhibition at the Galleria del Naviglio in Milan, which was also supported by Peggy Guggenheim.

Curator Giovanni Granzotto emphasises: ‘Guidi navigated the twentieth century, seeking the truth of nature in light, without ever becoming its prisoner: he experienced the contemporary world with an eye to history and his thoughts turned towards the future. Tancredi, on the other hand, was “a gentle hurricane”. He transformed space into a mental landscape traversed by energy, anguish and freedom. It is in this distance that their invisible point of contact emerges: the profound need to make painting an absolute form of inner truth’.

Through an exhibition layout conceived as a journey through the differences, asymmetries and tensions of the last century, the CIAC in Foligno’s project offers a new and original interpretation of two artistic trajectories which, whilst remaining irreducibly autonomous, continue to challenge our present day.

The exhibition at the CIAC in Foligno, organised and managed entirely by the Fondazione della Cassa di Risparmio di Foligno, and supported by the Gruppo Cultur Maggioli, is also backed by a number of sponsors, foremost among them the Lucchetta brothers’ Gruppo Euromobil.

 

Venue: CIAC (Italian Centre for Contemporary Art) – Via del Campanile 13, Foligno (PG)
Dates: 28 June – 27 September 2026
Opening hours: Thursday to Sunday 10.30–13 / 15.30–19.