The two rivers / ZWEI FLÜSSE

The two rivers / ZWEI FLÜSSE

26 September - 7 December | Berlino / Fondazione Guardini Galerie

Curated by Giuseppe Zigaina and Klaudia Ruschkowski

Just as Pasolini, starting from the local dialect, it transcends to come over the years to create a
film of universal range, in the same way the work of Zigaina, no less universal, takes the grounds from a
Friuli his "dialect". These reasons were gathered over the years in certain subject areas, presented in
form of a world that follows its own laws: landscapes such as anatomy - or, vice versa, anatomy (such as physical
psychic) ??as landscapes. Zigaina and Pasolini are linked by friendship artistic-existential Pasolini had described as "ontological”.
Both were "different": Pasolini for his homosexuality, Zigaina for the trauma suffered as a child. 'Its diversity
confronted with my entering into a sort of symbiosis ', so Zigaina,' we understood each other without words.’ Il
Zigaina young painter had to understand the mysterious relationship between the one hand and the two hemispheres of the brain and
reorder the countless signs of the world, as ristrutturandogli language: on the floor, in the space of the image.
Pasolini, the poet, the infinity of order signs on the linguistic-semiotic aiming from the beginning to the last sign,
the "sign for eternity", which is expressed in the "language of action". Both languages ??have developed powerful
vigorous signs of living, painting and poetry in relation to the closest correlation, complete only through the other.
Painting graphics and pictorial Pasolini Zigaina note: 'Pasolini has always painted as a poet ... I've rarely seen
use the traditional colors in oil or tempera ... has always experienced the strangest painting techniques,
striving and mixing different materials for ... more odd green he used a certain type of sedum or beans
white grape ... for those who rose in the lagoon called the 'Fiuri of Tapo' ... to get some used red wine vinegar
mixed with lime ... 'On the painting Zigaina Pasolini wrote:' The delusion of his inspiration graphic and chromatic not
is so significant in itself as in relation to practical life ... no one who paints as he lives like him, and
no one who lives as he paints as he
paints with a sumptuous color that does not erase the despair almost psychotic (if not more than the
psychosis that we live every night dreaming).’
The exhibition" The two rivers – Giuseppe Zigaina / Pier Paolo Pasolini“ at Fondazione Galleria Guardini in Berlin follows the
Exhibition “Organize the trasumanar dated 2011.
Pier Paolo Pasolini – origin Christian or moderm gnostic", curated by Giuseppe Zigaina in collaboration with
Daniele Tarziz came from Decembe 201 1until May 2012 atl Centro Studi Pier Paolo Pasolini in Casarsa: la
vigorous signs of living, painting and poetry in relation to the closest correlation, complete only through the other....”,
achieved through the organization of his martyrdom on the beach of Ostia at the dawn of Sunday, November 2, 1975,
Day of the Dead. The title of the exhibition in Berlin, "The two rivers", it connects to the poem by Pier Paolo Pasolini "I Reca"
wrote to his friend Zigaina in 1969, true testament of Their Friendship.