In the landscape. The late twentieth century between Venice and the Dolomites

21 November 2010 - 27 February 2011 | Solighetto - Villa Brandolini

curated by D.Marangon

Second episode of the four-year research on landscape painting in the Veneto, Laguna and the Mainland, Dino Marangon is pursuing on behalf of Euromobil of Pieve di Soligo. This new section of the survey leads, from 21 November to 27 February, inuna large show hosted by Villa Brandolini in Pieve di Soligo, in the heart of the Treviso hills of Prosecco. A place emblematic landscapes, then, to host an exhibition that explores, this time on the side more specifically figurative, that union, clash between the art and the landscape artists linked to residence, work, inspiration peculiar to the territory from the Alps descends to the Venetian Lagoon. Not any place, then, but a Italian territory, thanks to the Biennale, is a privileged meeting pointabout the world and with the world.One hundred works, many novel and important loans from Ca 'Pesaro and the Academy of Concordi to document the creative interplay of different strands, the formation and evolution of universes linguistic and imaginative new ideas, sometimes secretly connected to the great tradition of painting .
Brew Masters that plague even the personality established, as evidenced by the scarcity of painting by Filippo De Pisis, while Guido Cadorin makes magical colors, artificial lights, the modernity of Venice and Giuseppe Cesetti experimenting with new coloring and more dreamy variations.